Thursday, December 10, 2009

New York Show


I, along with three other students and one professor, did a art reception which hung in the HFAC at BYU. This is one of the pieces I did from the show. I focused on the young adult children's book market.

Here's our Artist's statement for the show which will tell you more,
New York City Mentoring Project:
New York City is a complexity of visual and intellectual inspiration making it one of the cultural centers of the world. Along with the city’s vast galleries, museums, and immense concentration of illustrators, photographers, designers, painters and publishers, there is the excellent architecture, both humble and heroic, the pulsating life that ensues the city, the diversity of the human condition and the melting pot of culture to add to the stimulation and information that this great city offers. It is for these reasons and more that several illustration students and one crazy professor took off to see the Big Apple.
For six weeks we sampled what New York had to offer. We visited professional illustrators such as Sam Weber, Bill Thomson and Brett Helquist where we learned about their creative process as well as their perspective on conducting the business side of illustration. Each student also interned with a professional artist in their desired market focus for three days of each week. We sampled the food; we saw the sights; we were inspired and motivated by the exquisite talent exhibited in museum paintings; we sketched and we collected reference of the people, buildings and anything and everything in between to refer to in our own personal projects.
New York City has become the stage for our illustrated stories and each participant’s artwork is focused on their particular professional market interest.
We are grateful to the kind and talented professional illustrators whom we interned with, our project mentor, Professor Hull, who made sure we didn’t get lost, and the Orca and Oscarson Discovery Grant programs which allowed us this great experience and opportunity.

I found to make my illustrations look fairly the same in blogger as in photoshop I had to increase the saturation by fifteen or twenty points and play with levels, especially the darks. Hopefully the color looks alright on everybody else's computer.

Shadow Lake




Novel Cover idea: The story idea behind the illustration is that the protagonist, the boy, has somehow inadvertently, through his own character flaw, not done something he should have, which has resulted in a future post apocalyptic New York. The only way to right the timeline is to follow the daunting draped figure’s gesture into the dark door where he will face the antagonist head on.

Born Super




Being in NY, the inspiration for many a superhero’s place of residence, I thought I’d attempt a hero theme book cover illustration.

New York Show





Black and White
 
Color



The idea for the illustration below stemmed from walking around the lakes at Central Park. I thought it would be cool to see the view from the other side: the viewer (i.e.. you) seeing what the object is, the mystery behind it and the curious, yet unsuspecting couple that just happened to look down, resulting in the story one can make up from there.

Wednesday, September 16, 2009

Sunday, August 23, 2009

Skyline

A book cover for a young adult novel...to be painted soon

Inking

Though I don't intend on working professionally in black and white, it is faster. I thought I would just try a few.





Wednesday, June 24, 2009

Character Post

so, I did this character and character study a while ago but never got around to posting it...but here it is.


Wednesday, May 27, 2009

Video Game Environment





The piece is intended as concept for gaming. There's the warm distant sandy area where the character is safe, a pathway for a character to follow into the spooky tree area and a blueish light glowing on the trees to try to entice the character to come through and find out what is making the blueish glowing light.

Wednesday, April 29, 2009

Commercial Boards


These are commercial boards for the Suburban Auto Group's trunk monkey campaign.  Do a google search for "trunk monkey commercial" and you will see some commercials that were done for the campaign.  The idea is that each car is tailored to the needs of its occupants.
The Pitch: An evil villain has Chuck Norris tied up and is laughing maniacally.

Chuck, however, has the Suburban Sidekick edition of this car.  He pushes his car key trunk button to release the trunk monkey.


The trunk monkey frees Chuck, much to the dismay of the villain.

And end with the hero shot: a freeze shot jump kick, knowing the villain is about to get his comeuppance.  Followed by the campaign slogan "The trunk monkey: sidekick edition.  A revolutionary idea you'll only find at Suburban Auto Group."  

The first two panels are greenish and cool to represent the villain being in control, but as the hero gets free, the cools recede, to be replaced by warms, as Chuck gains the upper hand :)

Tuesday, April 28, 2009

Batman Test Storyboards









Robot Beatboard

The Story takes place in the not to distant future.  Everyone has a personalized robot, now, in this society, but one little robot wakes up in Grand Central alone and with no memory of his human.  I wanted to show the robot's isolation as the robot realizes he is suppose to have a human too.  I used warm colors surrounding the robot to show the liveliness and warmth of the place and people around him but used a cool light source over him to show his isolation and draw the eye to that point.